GTA 3 made its world feel alive through reactive systems

Transcript

Transcribed by machine (Whisper) from the episode’s audio, so a word may be off here and there.

1. 18:08

   three is probably one of the most influential games of all time it created a feeling of an open world what do you think it takes to create that feeling you know there's like these looming skyscrapers there's a changing traffic lights there's a the feeling like first of all you had a feeling you could do anything and then the world was reacting to it in a way that didn't feel scripted yes and it wasn't scripted it was it was really really really low rent ai like it was a simulation that you could prod and push and see what happened and i think that was incredibly it was a it was two things it was the fact that here was a simulation that you could mess about with and the simulation seemed to have a personality um so you could push and see and the world would push you back in whatever way that meant and then the other thing was just this i

2. 19:02

   think that one of the reasons it was so captivating was also the idea if i did nothing the world still existed or i could act in quite a passive way i could just listen to the radio i could look at billboards i could talk to pedestrians and the world not in gta 3 but by vice city you could begin rudimentary talking um and the world was there and existing and so it was the idea of like almost something that really tried to explore in lots of games um the idea of being a digital tourist, you know, you You were in these worlds, and you went there as a visitor, and they existed almost independent of you. It felt like when you turned up, the world was running. It didn't feel like you'd started it. Of course, you had started it, but that feeling, I think, was one of the things, the illusions that people found very captivating, was I'm in a world that both

3. 19:50

   doesn't exist and does exist. So there's these two concepts that I was reading about, just to put names on them. One is systemic video game design, so systemic games, and the other sandbox video games. And the systemic is from the environment perspective, which means that there is these interlocking game rules and systems that interact with each other and produce emergent behavior. And that emergent behavior is what creates a feeling like there's a living world. And then the sandbox aspect, which is overlapping but different it's from the user perspective from the player perspective the feeling like you can do anything and when those two things combine the feeling like you could do anything and the feeling like there's a world that's full that that is also doing anything it wants that's a creates this incredible feeling of like this world is alive and i'm in it and it's

4. 20:49

   combination of those two things i think is very powerful and i think with gta 3 you know for me it came at a really interesting time in my my life personally and i was very able to engage in it probably the first time professionally actually awake and do something and um it uh we were really sort of scratching began to scratch the surface on how do we fill these worlds with content and how do we make that content interesting and make the content all interwoven so as you as you start to mess with these systems they also feel alive and and interesting