Red Dead Redemption 1 risked killing its playable protagonist

Transcript

Transcribed by machine (Whisper) from the episode’s audio, so a word may be off here and there.

1. 1:20:55

   When did you know how you're going to end Red Dead Redemption 1? I remember we did a meeting with Christian, the designer. I can't remember what year. Probably some point late 2008, early 2009. And we were discussing the last bit and said, I think he's got to die. And he leapt on the idea and went, yes, yes. And then I went, no, it can't work. Games can't work like that. It can't work if he's dead.

2. 1:21:20

   And then I began to think through, well, if we just technically, it doesn't work because you have to be able to finish all the stuff. up and then began to think through actually i think we can make it work if we do it this way and so uh he then really pushed for that idea and it seemed to i was like i was still torn i thought it was clever narratively um but i was torn if it was going to work technically as a piece of game design but i think it did yeah and uh spoiler alert of course how do we tell the story of that well so he goes through a lot he does all the john does all the dirty work of hunting down his old gang and he finally is able to go home and be with his family be on the ranch and then the government betrays him and sends uh uh troops to kill him and and there is dialogue i mean that's just uh i think the two times i shed a tear in video game

3. 1:22:20

   history for me is that dialogue I think John talking to his wife if I vaguely remember I think he said I love you but he said very look he didn't he made it seem like he's going to see her and his son shortly that dialogue was masterfully done like a definition of like less is more it was just so crisp that and of course the other one is again from memory Arthur riding his horse and the music is playing it's very hard not to shed a tear during that anyway the dialogue of John talking to his wife at the end when he's in a barn and is about to walk out to face certain death do you remember writing that oh yeah yeah but it does again i won't i the actor was so good and we've seen a bunch of his work by then he had such a good he was so good at reading those lines that i knew he could give us that you could feel with that point like i think those lines are best when they're really short

4. 1:23:30

   And punchy. And so, I knew he'd be able to make that line sound good. So, you were imagining his voice. Yeah. And I think all of those actors on Red Dead Redemption 1 were so strong that they really brought that game to life. If them and Rod, the director, hadn't done such a good job, it would have sounded cheesy as hell. uh yeah you've said that the ending of that ending uh of rdr1 is uh one of the best things you've been a part of creating uh why why why is why is that ending so powerful to you what does it represent um i think because for the story to work i mean just from it from a technical challenge. For the story to work, he had to die. But for a game to work, it felt like a challenge to make him die. It was probably the fourth, fifth or sixth open world game I'd worked on. And I spent all these years before that working at how these stories worked, how to make

5. 1:24:32

   them work technically, how to make them feel right, how they interacted with the open form gameplay as best i could and suddenly we're going to break one of our golden rules which was at the end of the game you're freeing the character to go and wrap up all the side stories to play forever we're not going to do that in this game because the guy's going to be dead and we're going to have to have you play as a different character and the narrative is is going to be if we've done a good job compelling enough where you're not going to care about that and or you're going to be upset that he's dead but you're going to actually have this emotional moment um so i think it was a big risk from a technical perspective for us to do that and then it worked so i think that was something was very full of fear and it put and it worked it worked out okay i mean i think

6. 1:25:18

   people were really upset and angry at us for doing it because i think it was going to happen but i think they also had that kind of experience you're describing it's that kind of creative moment where you know transcendent moment with with characters in a piece of fiction which is what we've always aspiring to giving people i mean it's incredible because i don't think i don't remember a single video game that has done that before well i would like to have at the end of gta 4 kill nico but you couldn't do it you know the game doesn't work so it was this thing where we hadn't done it